NATALIE LAVELLE
Natalie Lavelle is an artist whose practice wavers between human and material concerns where abstraction and monochrome paintings have become the foundation of a personal pursuit to re-blur the limitations and boundaries of the traditional easel painting. Natalie has completed a Bachelor of Fine Art (Honours Class I) from the Queensland College of Art (QCA) in 2020, and a Diploma of Visual Art from Southbank Institute of Technology (SBIT) in 2016.
In addition to her studio practice, Lavelle engages in large scale installation wall paintings and outdoor mural projects. She has been an artist and studio assistant to major Brisbane and interstate artists for whom she contributes her expertise to large mural projects, including Fish Lane public art for Integrity 20 in 2019, Queensland Rail projects, Brisbane W Hotel in 2018, QCA’s Webb Gallery walkway in 2017 and the Brisbane Festival in 2016. In 2019, Lavelle was commissioned by Queensland Children’s Hospital to paint a sixty-meter wall painting for their Oncology walkway.
Lavelle has had solo and group exhibitions throughout Brisbane at a variety of institutions and galleries, some of which include: ‘Deliberate Pictures’ at Jan Manton Gallery (2020), ‘Flatform’ at Grey Street Gallery, QCA (2020), ‘Materiality, Agency and the Body’ at Webb Gallery, QCA (2019), ‘Dark Nuance’ at The Third Quarter (2018), ‘Nobody Wants To Leave This Party’ at QCA Galleries (2018) and ‘Expanded’ at Pop Gallery (2018). In 2018 she was awarded The Zonta Club Brisbane River Acquisitive Prize, Griffith University, Brisbane. In 2020 she was awarded the overall winner of the ABSTRACTION exhibition, judged by Andrew Baker, Art Dealer.
Gallery Exhibitions
News
Ian Friend, Natalie Lavelle, and Robyn Stacey’s works have been featured in Belle Magazine’s spread of a reinvented three-level riverside apartment in Brisbane’s New Farm.
Exhibiting artist Natalie Lavelle joined Alain Guillemain in the space to explore the theme of ‘Erotics and the rupture of reason' in Flesh for Fantasy (4 - 22 July).
“How do we reflect on art? And how do we reflect on the sensuous in art? Painting for some is an art activity, others a profession, some a hobby, and for a few it is a life—or life force. Natalie Lavelle is one of the latter. For Lavelle, painting is so central to her personhood..”
Jan Manton Gallery is pleased to present Holdings 2022, a group exhibition curated by Gallery Assistant, Sarah Meehan.
Congratulations to Natalie Lavelle, Dylan Jones and Simon Degroot for being selected as finalists in the Fisher’s Ghost Art Award 2022. The exhibition is showing between Saturday 29 October – Friday 9 December 2022 in the Campbelltown Arts Centre..
Congratulations to Natalie Lavelle whose work was recently acquired by Artbank. The work ‘Bleed-Layered Painting (Vat Orange/Hookers Green)’ is currently on display at Artbank Sydney’s window..
“Brown. Blue. White. Natalie Lavelle’s newest body of work exclusively uses these colors. Each conjures the natural world: dark handfuls of dirt, midday skies, the ocean’s depths, and a landscape lost to a thick Winter’s snowstorm.”
In the lead up to Natalie Lavelle’s upcoming exhibition Ways of Being, the JMG team took a tour around Natalie’s studio to peek at recent works and chat all things painting, process and beyond…
Available Works
New works
Natalie Lavelle
Untitled (Ochre, Crimson and Phthalo Blue)
2023
Acrylic on Italian linen, framed
103.5 x 183.5cm
$5,800
Natalie Lavelle
Wordlessness (a sense of the present)
2022
Oil on Italian linen
105 x 155 x 2 cm
$4,400
Natalie Lavelle
The sky (a momentary variation)
2022
Oil on Italian linen
144 x 122 x 2 cm
$4,400
From the archive
Natalie Lavelle
Untitled (Rectangles are lighter than squares, Dioxazine Purple)
2020
Acrylic on Italian linen
122 x 351.5 cm
$6,500
Natalie Lavelle
Untitled (Crimson and Dioxazine Purple)
2023
Acrylic on Italian linen, framed
88 x 202cm
$6,800
Enquire →